We utilized digital set extensions, sky replacements, forest environments, multiple monitor/phone replacements, rig removal and beauty work.  One episode featured a complicated fiery gypsy funeral, another featured 12 minute sequence in a car (40 shots) that was entirely shot on greenscreen. To minimize production schedules, we turned the neighborhood views from the Riches house into a blue screen backlot using street plates that we shot at different times of day.