Leslie Allen came into help transform this smaller budget film into something much bigger. To achieve a supernatural feel, event driven particle systems combined with cloud tank and lens elements we used and combined with dozens of shots. Rather than commit to a single look, production decided not to shoot any footage of the Tezkat god, so we designed and built a highly detailed CGI model that was capable of extreme close-ups with realistic facial motion.  Additionally we completed dozens of shots featuring digital rain, matte paintings, scars, eye replacement, gunshots, wounds, beauty shots and unique transitional elements.  It was great to help them out!